ANOMALY

宇治野宗輝

Web_18CO_kioku_MG_1323

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_18CO_kioku_MG_0442

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_18CO_kioku_MG_0493

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_18CO_kioku_MG_0547

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_18CO_kioku_MG_0570

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_18CO_kioku_MG_1293

Plywood Shinchi, 2018, Installation view at 21st Century Museum of Contemporary Art, Kanazawa, Photo by Keizo Kioku

Web_★TANAKA Yuichiro_yokotori2017_170804_DSC4853-Edit

Plywood Shinchi, Installation view at Yokohama Triennale, 2017, Photo by Yuichiro Tanaka

Web_Eric Chung_DSC_2366

Plywood Shinchi, Installation view at Yokohama Triennale, 2017, Photo by Eric Chung

Web_Eric Chung_DSC_2364

Plywood Shinchi, Installation view at Yokohama Triennale, 2017, Photo by Eric Chung

Web_e_ujino_2016_audio_distortion_does_not _distort_matter_002_l_yanagihara_photo_office

Audio Distortion does not Distort Matter, 2016

Web_e_ujino_2016_audio_distortion_does_not _distort_matter_003_l_yanagihara_photo_office

Audio Distortion does not Distort Matter, 2016

Web_e_ujino_2016_audio_distortion_does_not _distort_matter_004_l_yanagihara_photo_office

Audio Distortion does not Distort Matter, 2016

Web_e_ujino_2016_audio_distortion_does_not _distort_matter_001_l_yanagihara_photo_office

Audio Distortion does not Distort Matter, 2016

Web_e_ujino_2016_Rotate‘n’_Roll_Over_019_l_ki

Solo exhibition “Rotate’n Roll Over” Installation view, 2016, Photo by Keizo Kioku

Web_e_ujino_2016_Rotate‘n’_Roll_Over_022_l_ki

Solo exhibition “Rotate’n Roll Over” Installation view, 2016, Photo by Keizo Kioku

Web_DSC_2349

THE BALLAD OF EXTENDED BACKYARD,THE HOUSE, 2015, Photo by Ai Nakagawa

Web_DSC_2517

THE BALLAD OF EXTENDED BACKYARD,THE HOUSE, 2015, Photo by Ai Nakagawa

Web_DSC_2616

THE BALLAD OF EXTENDED BACKYARD,THE HOUSE, 2015, Photo by Ai Nakagawa

Web_DSC_2563

THE BALLAD OF EXTENDED BACKYARD,THE HOUSE, 2015, Photo by Ai Nakagawa

Web_DSC_3278

Live Performance at MASK, 2015, Photo by Ai Nakagawa

Web_DSC_3295

Live Performance at MASK, 2015, Photo by Ai Nakagawa

Web_DSC_3315

Live Performance at MASK, 2015, Photo by Ai Nakagawa

Web_ujino_2015_WIRED_FOR_SCULPTURE_01_yg

Solo exhibition “WIRED FOR SCULPTURE”, 2015, Installation view at SPACE8, Tokyo

Web_ujino_2015_WIRED_FOR_SCULPTURE_02_yg

Solo exhibition “WIRED FOR SCULPTURE”, 2015, Installation view at SPACE8, Tokyo

Web_ujino_2014_INTERTIA_05_Keizo_Kioku

UJINO & THE ROTATORS' MACHINE THEATER INERTIA, 2014

Web_ujino_2014_INTERTIA_04_Keizo_Kioku

UJINO & THE ROTATORS' MACHINE THEATER INERTIA, 2014

Web_ujino_2014_INTERTIA_03_Keizo_Kioku

UJINO & THE ROTATORS' MACHINE THEATER INERTIA, 2014

Web_ujino_2014_INTERTIA_02_Keizo_Kioku

UJINO & THE ROTATORS' MACHINE THEATER INERTIA, 2014

Web_ujino_2013_be_a_good_boy_view_02_Keizo_Kioku

Solo Exhibition “BE A GOOD BOY” Installation view, 2013

Web_ujino_2013_BLENDER_SOLO

BLENDER SOLO, 2013

Web_ujino_2013_little_green_UJINO

LOVE ARM 2SG (Little Green), 2013

Web_ujino_2013_love_arm_2sg_orange_reptile_02_Keizo_Kioku

LOVE ARM 2SG (Orange Reptile), 2013

Web_ujino_2013_love_arm_2sg_space_ace_02_Keizo_Kioku

LOVE ARM 2SG (Space Ace), 2013

Web_ujino_2010_2013_the_ballad_of_extended_backyard_M.KUROKAWA

THE BALLAD OF EXTENDED BACKYARD, 2010—2013, Photo by M. KUROKAWA

Web_ujino_2010_2013_the_ballad_of_extended_backyard_dining_section_M.KUROKAWA

THE BALLAD OF EXTENDED BACKYARD, 2010—2013, Photo by M. KUROKAWA

Web_ujino_2010_2013_the_ballad_of_extended_backyard_tower_section_M.KUROKAWA

THE BALLAD OF EXTENDED BACKYARD; Tansu Robo (Tower Section), 2010-2013

Web_ujino_2010_2013_the_ballad_of_extended_backyard_tansu_robo_section_M.KUROKAWA

THE BALLAD OF EXTENDED BACKYARD; Tansu Robo, 2010-2013, Photo by M. KUROKAWA

Web_ujino_2013_elementary_duet_01_M.KUROKAWA

ELEMENTARY DUET, 2013

Web_ujino_2013_dragon_head_M.KUROKAWA

DRAGON HEAD, 2013

Web_ujino_2012_triode_to_joy_02_TADA(YUKAI)

TRIODE TO JOY, 2012

Web_ujino_2011_genuine_extractor_nonaka

GENUINE EXTRACTOR, 2012

Web_ujino_2011_vertical_plywood_city_03_Keizo_Kioku

VERTICAL PLYWOOD CITY, 2011

Web_ujino_2011_IQSY_Keizo_Kioku

IQSY, 2011

Web_ujino_2011_the_district_of_plywood_city_04_TADA(YUKAI)

THE DISTRICT OF PLYWOOD CITY, 2011

Web_ujino_2011_the_district_of_plywood_city_03_TADA(YUKAI)

THE DISTRICT OF PLYWOOD CITY, 2011

Web_ujino_2011_the_district_of_plywood_city_01_TADA(YUKAI)

THE DISTRICT OF PLYWOOD CITY, 2011

Web_ujino_2010_the_ballad_of_extended_backyard_07_UJINO

THE BALLAD OF EXTENDED BACKYARD, 2010, Installation view at Mori Art Museum

Web_ujino_2010_the_ballad_of_extended_backyard_03_UJINO

THE BALLAD OF EXTENDED BACKYARD, 2010, Installation view at Mori Art Museum

Web_ujino_2009_sherbet_dab_swivel_Jon_Cartwright

Sherbet Dab Swivel, 2009

Web_ujino_2008_plyywood_city_01_courtesy_PSM_Berlin

Plywood City, 2008

Web_ujino_2008_platform_for_the_rotators_bent_guitar_bentguitar_Masanori_Ikeda

PLATFORM for the Rotators (Bent guitar), 2008

Web_ujino_2008_pickleup_courtesy_PSM_Berlin

Pickle-up, 2008

Web_ujino_2005_rotatorhead_woodytwin

ROTATORHEAD (Woodytwin), 2005

Web_ujino_2002_TwentyOneCentury_crop_Keizo_Kioku

TWENTY ONE CENTURY, 2002

Web_ujino_2001_love_arm_2_pro_american_standard_Hiroyuki_Matsukage

LOVE ARM 2PRO (American Standard), 2001

宇治野宗輝
1964年東京生まれ、東京在住。

90年代より、電気製品を用いたサウンドスカルプチャー「Love Arm」シリーズを制作・発表。2004年からは、大量消費社会が急速に拡大した20世紀後半以降のシンボリック・アイコンを「回転するモーター」に設定し、アートを通じた「物質世界のリサーチ」を標榜している。モーターを援用した家電製品や自動車、家具、中古レコードなど、世界中どこにでもある日常的なモノと技術をDIYで組み合わせた、サウンドスカルプチャー／パフォーマンスのプロジェクト「The Rotaors」に取り組む。日本のみならず世界各地で個展を開催、また、ビエンナーレや企画展にも多数参加している。

コレクション

森美術館、東京
Art Sonje Center, Korea

News Archives