Erina Matsui
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Solo exhibition "Astral Dreamer" installation view, ANOMALY, Tokyo, 2024 Photo: Keizo Kioku
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Solo exhibition "Astral Dreamer" installation view, ANOMALY, Tokyo, 2024 Photo: Keizo Kioku
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《子供部屋のアトリエ》2022、キャンバスに油彩、H53xW45.5cm 撮影:坂本理
"Atelier-chambre d'enfants-" 2022, oil on canvas, H53xW45.5cm Photo: Osamu Sakamoto
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‘’11th Ichihara Lakeside Museum Children’s Art Exhibition’’installation view, Ichihara Lakeside Museum, Chiba
courtesy of Ichihara Lakeside Museum Photo:Yuichiro Tamura
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‘’11th Ichihara Lakeside Museum Children’s Art Exhibition’’installation view, Ichihara Lakeside Museum, Chiba
courtesy of Ichihara Lakeside Museum Photo:Yuichiro Tamura
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"Our Stories" Installation view at Spiral, Tokyo, 2020, Photo by Kei Miyajima
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"Our Stories" Installation view at Spiral, Tokyo, 2020, Photo by Kei Miyajima
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"Our Stories" Installation view at Spiral, Tokyo, 2020, Photo by Kei Miyajima
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“Reiwa Otogi Zoshi Momotaro KAMISHI by MATSUI Erina” Installation view at Okayama Prefectural Museum of Art, Okayama, Japan, 2020
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“Reiwa Otogi Zoshi Momotaro KAMISHI by MATSUI Erina” Installation view at Okayama Prefectural Museum of Art, Okayama, Japan, 2020
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“Reiwa Otogi Zoshi Momotaro KAMISHI by MATSUI Erina” Installation view at Okayama Prefectural Museum of Art, Okayama, Japan, 2020
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“Reiwa Otogi Zoshi Momotaro KAMISHI by MATSUI Erina” Installation view at Okayama Prefectural Museum of Art, Okayama, Japan, 2020
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“Manga Mind Serenade – non-stop painting” Installation view at YAMAMOTO GENDAI, Tokyo, 2015
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The Birth of Narikiri Venus - It’s always a lot of pressure to be in the center –, 2015
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“Wabi Sabi Utopia” Installation view at YAMAMOTO GENDAI, Tokyo, 2012
Erina Matsui
Born in Okayama, 1984.
For Erina Matsui, a self-portrait plays a significant role both as her communication tool and the most intimate motif to paint. Famously seen in “I Love Ebi-Chili!” (I love chili shrimps!), the gold prize winning artwork at GEISAI#6, her unforgettable “silly face” is the embodiment of desire to share various feelings and laughter with viewers through a close relation to build in the real world.
Since her debut, Matsui pushes boundaries in the expression of “self-portrait”, and the recent practice extends beyond her signature facial expression on canvas – also seen widely in a range of other series; “Recurrence to Classics” to make a connection to the western paintings inspired her to start working on oil paint in her youth with girl’s comics in a form of split frames, “Layers” to visualize emotional complexities of women living today, and “Mexican Axolotl”, a motif considered as her alter ego.
Her recent solo and group exhibitions internationally include ”KAMISHI By (picture-story show) Erina Matsui” (Okayama Prefectural Museum of Art, Okayama, 2020), “Planet of the Faces” (Kirishima Open-Air Museum, Kagoshima, 2016), “Mirror Neuron TAKAHASHI COLLECTION” (Tokyo Opera City Art Gallery, Tokyo, 2014), “Road Sweet Road” (Künstlerhaus Bethanien, Berlin, 2013), “Sunrise Erina” (Ohara Museum of Art, Okayama, 2012), and “J’en reve” (Fondation Cartier pour l’art contemporain, Paris, 2005).
Public Collection
Takamatsu Art Museum, Kagawa, Japan
Ohara Museum of Art, Okayama, Japan
Okayama Prefectural Museum of Art, Okayama, Japan
Fondation Cartier pour l’art contemporain, Paris, France
KOLON GROUP, South Korea
TAKAHASHI COLLECTION, Tokyo, Japan
Jean Pigozzi Collection, Switzerland
Moleskine Foundation, Milan, Italy
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