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Floating Lanterns, 2025, Polystyrene foam, Dimensions variable
"KOBE ROKKO MEETS ART" Installation view, Chapel of the Wind Area, Hyogo, 2025
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Out of Disorder (The Elves and the Shoemaker),2025, Shoe, sock, Dimensions variable
"Yurakucho Window Gallery" Installation view, The Lakota House Marunouchi, Tokyo
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Rain Mirror (High Speed Rail and Fast Breeder Reactor), 2024, Wood, gravel, concrete blocks, light bulbs, toys, grass, etc. Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Rain Mirror (High Speed Rail and Fast Breeder Reactor), 2024, Wood, gravel, concrete blocks, light bulbs, toys, grass, etc. Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Rain Mirror (High Speed Rail and Fast Breeder Reactor), 2024, Wood, gravel, concrete blocks, light bulbs, toys, grass, etc. Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Reflection Model (Rashomon from the pond)), 2023/2024, Japanese cypress, plywood, wire, Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Reflection Model (Rashomon from the pond)), 2023/2024, Japanese cypress, plywood, wire, Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Out of Disorder (Post-Anthropocene), 2024, Daily necessities, cleaning utensils, food scraps, etc., Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Out of Disorder (Post-Anthropocene), 2024, Daily necessities, cleaning utensils, food scraps, etc., Dimensions variable
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Tectonic Model (Anthropocene), 2024, Books, crystals, table, H92.1×W91×D36.2 cm
“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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“If you wish to make an apple pie from scratch, you must first invent the universe.” Installation view, Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024 Photo: Keizo Kioku
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Tectonic Model (Paul Auster “Report from the Interior”),2024, Book, H48.8.×W35.8×D10.4 cm
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Tectonic Model (Complex),2024, Book, H48.8.×W35.8×D10.4 cm
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Out of Disorder (Landscape with bush),2024, Toothbrush, acrylic, stainless steel, H28.8×W38.8×D8.0 cm
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Out of Disorder (Landscape with bush),2024, Toothbrush, acrylic, stainless steel, H28.8×W38.8×D8.0 cm
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Sea of Catabolism, 2023, Seaweed, soy sauce, polystyrene foam, paper, Dimensions variable
“Hyakunengo Art Festival - Uchiboso Art Festival - “ Installation view, Futtsu Reclamation Memorial Hall, Chiba, Japan, 2023 Photo by Osamu Nakamura
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Sea of Catabolism, 2023, Seaweed, soy sauce, polystyrene foam, paper, Dimensions variable
“Hyakunengo Art Festival - Uchiboso Art Festival - “ Installation view, Futtsu Reclamation Memorial Hall, Chiba, Japan, 2023 Photo by Osamu Nakamura
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Reflection Model (Rashomon), 2023, Japanese cypress, plywood, wire, H199×W205×D99.5 cm
“Takahiro Iwasaki : Nature of Perception” Installation view, PORTLAND JAPANESE GARDEN, State of Oregon, United states of America, 2023
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"A Theatre of Waiting" Installation view, The Cloud Collection, Nanjing, China, 2023 Photo: Peanut, Shuo Qiu
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"A Theatre of Waiting" Installation view, The Cloud Collection, Nanjing, China, 2023 Photo: Peanut, Shuo Qiu
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“REFLECTION MODEL (ITSUKUSHIMA)” Installation view, NGV International, Melbourne, Australia, 2023 Photo: Predrag Cancar
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“REFLECTION MODEL (ITSUKUSHIMA)” Installation view, NGV International, Melbourne, Australia, 2023 Photo: Predrag Cancar
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Out of Disorder (Frame), 2023, T-shirts, bath towel, H36xW50xD9.2cm
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“ROPPONGI ART NIGHT 2023” Installation view, Reine Building 1, Tokyo, Japan, 2023 Photo: Keizo Kioku
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“ROPPONGI ART NIGHT 2023” Installation view, Reine Building 1, Tokyo, Japan, 2023 Photo: Keizo Kioku
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"Visionaries: Making Another Perspective" Installation view of Kyoto City KYOCERA Museum of Art, 2023 Photo: Koroda Takeru
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"Visionaries: Making Another Perspective" Installation view of Kyoto City KYOCERA Museum of Art, 2023 Photo: Koroda Takeru
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“ART de Cha Cha Cha − Exploring the DNA of Japanese Contemporary Art −” from the Takahashi Ryutaro Collection” Installation view
WHAT MUSEUM, Tokyo, Japan, 2023 Photo: Keizo Kioku
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Out of Disorder (Black Sun),2023, Cloths, thread, H72xW120xD10.2cm
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Tectonic Model (Yukio Mishima, “The Temple of the Golden Pavilion”),2023, Book, H31xW10.5xD2.6cm
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Reflection Model, 2001, Japanese cypress, wire, H90xW60xD115cm
"MAM Collection 014: Gravity and Inversion, Microcosmos and Macrocosmos" Installation view, Mori Art Museum, Tokyo Photo by Furukawa Yuya
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"Somewhere Between the Odd and the Ordinary" Installation view, 21st Century Museum of Contemporary Art, Kanazaw, Ishikawa 2021, Photo : Takeru Koroda
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Reflection Model (Ship of Theseus), 2017 / 2021
"Somewhere Between the Odd and the Ordinary" Installation view, 21st Century Museum of Contemporary Art, Kanazaw, Ishikawa 2021 Photo : Takeru Koroda
岩崎貴宏《アウト・オブ・ディスオーダー(誰が袖)》「日常のあわい」展示風景 金沢21世紀美術館
Out of Disorder (tagasode), 2021, Festival clothing, clothing rack, Demensions variable
"Somewhere Between the Odd and the Ordinary" Installation view, 21st Century Museum of Contemporary Art, Kanazaw, Ishikawa 2021 Photo : Takeru Koroda
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Tectonic Model , 2021, Book, string, Demensions variable
"Somewhere Between the Odd and the Ordinary" Installation view, 21st Century Museum of Contemporary Art, Kanazaw, Ishikawa 2021 Photo : Takeru Koroda
岩崎貴宏《テクトニック・モデル》細部「日常のあわい」展示風景 金沢21世紀美術館
Tectonic Model , 2021, Book, string, Demensions variable
"Somewhere Between the Odd and the Ordinary" Installation view, 21st Century Museum of Contemporary Art, Kanazaw, Ishikawa 2021 Photo : Takeru Koroda
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“FOCAL DISTANCE” Installation view, 2020, SKY GALLERY, SHIBUYA SKY, Photo: Ichiro Mishima
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“FOCAL DISTANCE” Installation view, 2020, SKY GALLERY, SHIBUYA SKY, Photo: Ichiro Mishima
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“FOCAL DISTANCE” Installation view, 2020, SKY GALLERY, SHIBUYA SKY, Photo: Ichiro Mishima
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“FOCAL DISTANCE” Installation view, 2020, SKY GALLERY, SHIBUYA SKY, Photo: Ichiro Mishima
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“FOCAL DISTANCE” Installation view, 2020, SKY GALLERY, SHIBUYA SKY, Photo: Ichiro Mishima
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Solo Exhibition "Looking at the Sky through the Eye of a Needle" Installation view at ANOMALY, Tokyo, 2020, Photo: Ichiro Mishima
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Out of Disorder (Looking at the Sky through the Eye of a Needle),2020, Cleaning supplies, emblem, clothes tag, coat, H152xW102xD10cm each Photo:Ichiro Mishima
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“AICHI TRIENNALE 2019 - Taming Y/Our Passion” Installation view at Ito House, 2019
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“AICHI TRIENNALE 2019 - Taming Y/Our Passion” Installation view at Ito House, 2019
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“SENSE OF SCALE” Installation view at Yokosuka museum of art, 2019
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“SENSE OF SCALE” Installation view at Yokosuka museum of art, 2019
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"Water and Land Niigata Art Festival" Installation view, Niigata city area, Niigata, 2018
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Commissioned artwork by Centre for Heritage, Arts and Textile (CHAT), 2018, Hong Kong
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"57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest" Installation view, Giardini di Castello, Venice, Italy, 2017
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Reflection Model (Ship of Theseus), 2017
exhibition view of "57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest", Giardini di Castello, Venice, Italy
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Out of Disorder (Offshore Model), 2017
exhibition view of "57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest", Giardini di Castello, Venice, Italy
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Out of Disorder (Offshore Model), 2017
exhibition view of "57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest", Giardini di Castello, Venice, Italy
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Exhibition view of "57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest", 2017, Giardini di Castello, Venice, Italy
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Out of Disorder (Turned Upside Down, It's a Forest), 2017
exhibition view of "57th International Art Exhibition - La Biennale di Venezia: Turned Upside Down, It's a Forest", Giardini di Castello, Venice, Italy
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A Large Sea of an Old House of the Peninsula of the Small Sea, 2017, Salts, plastic tray for sashimi, flotsam, folk handicrafts, furnitures, Dimensions variable"Oku-Noto Triennale" Installation view, Hiroshima
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A Large Sea of an Old House of the Peninsula of the Small Sea, 2017, Salts, plastic tray for sashimi, flotsam, folk handicrafts, furnitures, Dimensions variable"Oku-Noto Triennale" Installation view, Hiroshima
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Out of Disorder (Gas field and Ship)
"Light is made of Stars" Installation view, URANO, Tokyo, 2017
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Out of Disorder (Structure of light), 2017, Clothes, lily yarn, table, H165×W150×D150cm
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"Light is made of Stars" Installation view, URANO, Tokyo, 2017
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Tectonic Model (Kein Licht), 2017, Books, table, H122xφ100cm
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Tectonic Model (Klaus Ottmann "Yves Klein le philosophe"), 2016
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Tectonic Model (Antoine de Saint-Exupéry’s "Le Petit Prince"), 2016
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Tectonic Model (Filippo Tommaso Emilio Marinetti’s "Teoria e invenzione futurista"), 2016
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"Takahiro Iwasaki Dust (10-10) and Moment (10-18)" Installation view, Kurumaya Museum of Art, Tochigi, Japan, 2015
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Phenotypic Remodeling (Oyama)
"Takahiro Iwasaki Dust (10-10) and Moment (10-18)" Installation view, Kurumaya Museum of Art, Tochigi, Japan, 2015
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Out of Disorder (Grass)
"Takahiro Iwasaki Dust (10-10) and Moment (10-18)" Installation view, Kurumaya Museum of Art, Tochigi, Japan, 2015
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Out of Disorder (Terrain Rendering)
"Takahiro Iwasaki Dust (10-10) and Moment (10-18)" Installation view, Kurumaya Museum of Art, Tochigi, Japan, 2015
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Reflection Model (Rashomon Effect)
"Nissan Art Award 2015" Installation view, BankART Studio NYK, Kanagawa, Japan, 2015
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Out of Disorder (Folding Scenery)
"Takahiro Iwasaki: In Focus" Installation view, Asia Society, New York, 2015
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Out of Disorder (Folding Scenery)
"Takahiro Iwasaki: In Focus" Installation view, Asia Society, New York, 2015
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Reflection Model (Itsukushima), 2013 - 2014, exhibition view at Collection of National Gallery of Victoria, Melbourne
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Out of Disorder (Zeon Corporation), 2014
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Out of Disorder (Mitsui Wharf gantry crane), 2014
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Out of Disorder(Toa Oil Company’s Refinery 1), 2014
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"17th DOMANI: The Art of Tomorrow” Installation view, The National Art Center, Tokyo, Japan, 2014
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Out of Disorder (neon), 2013
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Out of Disorder (pink deck brush), 2013,
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Out of Disorder (section), 2013
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Out of Disorder (Coney Island), 2012
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Geo Eye (Victoria Peak), 2012
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Reflection Model (Perfect Bliss) ,2010-2012
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Out of Disorder (Cosmo World), 2011
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Tectonic Model, exhibition view at Art Tower Mito, 2008
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Exhibition view of Differential / Integral Calculus, 2005, Sleeper, Edinburgh, Scotland
Takahiro Iwasaki creates delicate, ephemeral landscapes using everyday articles such as toothbrushes, towels, bookmarks, and duct tape. He makes visualizations of the realities we ordinarily overlook, while changing the distance from the subject and its scale, thereby undermining our fixed perceptions and changing our awareness.Towers made of towel, threads built on randomly stacked cloth, remind us of the pylons we see in the mountains, and cranes made of bookmarks on books give the illusion of a building site.
Another series of his, ‘Reflection Model’, consists of detailed three-dimensional wooden models of traditional Japanese architecture, which give the impression of being united with its reflection on water. The influence in creating such fragile sceneries comes from the devastation wreaked upon Hiroshima by the atomic bomb, a city where he still lives and works. His art in its mirror imagery alludes to the 180 degrees turn that the city made from a city at the center of a military operation into the City of Peace after its reconstruction – as such his work can also be interpreted as perceptions of time.
Iwasaki held solo exhibitions at Oyama City Kurumaya Museum of Art, Tochigi, Kurobe City Art Museum, Toyama, and the Asia Society in New York (2015), and was selected to represent Japan at the 57th Venice Biennale in 2017. And he held solo exhibitions, such as “REFLECTION MODEL (ITSUKUSHIMA)” (NGV International, Melbourne, Australia, 2023), “Takahiro Iwasaki:Nature of Perception” (Portland Japanese Garden, Portland, USA, 2023), “If you wish to make an apple pie from scratch, you must first invent the universe.” (Kanaz Forest of Creation Art Museum, Fukui, Japan, 2024).
In recent years, Iwasaki has participated in many exhibitions inside and outside Japan. The list includes “Biennale Jogja 18 – KAWRUH: Land of Rooted Practices” (Yogyakarta, Indonesia, 2025), “KOBE ROKKO MEETS ART” (Chapel of the Wind Area, Hyogo, 2025), “Collection Exhibition”(Yokohama Museum of Art, 2024), “CHAT 5th Anniversary – Factory of Tomorrow”(Centre for Heritage, Arts & Textile, Hong Kong,2024), “Hyakunengo Art Festival – Uchiboso Art Festival – “ (Futtu city, Chiba, Japan, 2023), “The Secret of the Lake – The River Became a Lake” (Ichihara Lakeside Museum, Chiba, Japan, 2023), “ROPPONGI ART NIGHT 2023” (Reine Building 1, Tokyo, 2023), “Visionaries: Making Another Perspective” (Kyoto City KYOCERA Museum of Art, Kyoto, 2023), “Somewhre Between the Odd and the Ordinary” (21st Century Museum of Cpntemporary Art Kanazawa, Ishikawa, Japan, 2021), “Collection as Poem in the Age of Ephemerality” (X museum, Beijin, China, 2020), “Aichi Triennale 2019: Taming Y/Our Passion” (Ito Residence, Aichi, 2019), “Japan – Cuba Contemporary Art Exhibition: Going Away Closer” (Wifredo Lam Center of Contemporary Art, Havana, Cuba, 2018), “Water and Land Niigata Art Festival 2018” (Bandaijima Multipurpose Plaza, Niigata, 2018), “MAM Collection 005: Recycle and Build” (Mori Art Museum, Tokyo, 2017), “Oku-Noto Triennale: SUZU 2017” (old Japanese House in Morikoshi, Ishikawa, 2017), “Paradoxa: Arte Giapponese Oggi” (Museum of Modern and Contemporary Art, Udine, Italy, 2016), “Nissan Art Award 2015” (BankART Studio NYK, Kanagawa, 2015), “INVENTO – The Revolutions That Invented Us” (OCA Museum, Sao Paulo, Brazil, 2015), and “We can make another future: Japanese art after 1989” (Queensland Art Gallery, Brisbane, Australia, 2015).
He won the TAKASHIMAYA ART AWARD in 2022, and New Artist Award of arts category of the Minister of Education, Culture, Sports, Science and Technology in 2018.