TK-23-003-P
Untitled (Zai no.1), 2023, Oil on canvas, H162.2xW130.5cm
TK-22-019-P
Untitled (Manzo Minae Hisana no.1), 2022, Oil on canvas, H200xW80.5cm
TK-22-006-P
Untitled (Kazuya no.3), 2022, Oil on canvas, H182.2xW72.9cm
TK-22-017-P
Untitled (Wakabayashi no.2), 2022, Oil on canvas, H160.5xW65.4cm
th_TK-22-008-P
Untitled (Wakabayashi no.4), 2022, Oil on canvas, H65.2xW65.2cm
th_TK-22-007-P
Untitled (Yasu no.1), 2022, Oil on canvas, H130.5xW97.2cm
th_TK-22-016-P
Untitled (Sotaro no.3), 2022, Oil on canvas, H145.7xW97.2cm
th_TK-22-002-P
Untitled (Zon no.2), 2022, Oil on canvas, H162.2xW97.2cm
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"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
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"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
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"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
th_201023_anomaly_i02
"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
th_201023_anomaly_i04
"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
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"Internal Criteria” Installation view, ANOMALY, Tokyo, 2020 Photo by Ichiro Mishima
TK-20-002-P
Untitled, 2020, Oil on canvas, H194xW145.5cm
TK-20-004-P
Untitled, 2020, Oil on canvas, H130.3xW194cm
TK-20-015-P
Untitled, 2020, Oil on canvas, H145.5xW112cm
TK-20-007-P
Untitled, 2020, Oil on canvas, H181.8xW227.3cm
TK-20-011-P
Untitled, 2020, Oil on canvas, H162xW227.3cm
TK-20-003-P
Untitled, 2020, Oil on canvas, H145.5xW194cm
TK-20-006-P
Untitled, 2020, Oil on canvas, H227.3xW162cm
TK-20-009-P
Untitled, 2020, Oil on canvas, H33.3xW24.2cm
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“Collection Asian Landscapes” Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan, 2018-2019 Photo by KIOKU Keizo, Courtesy: 21st Century Museum of Contemporary Art, Kanazawa
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“Collection Asian Landscapes” Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan, 2018-2019 Photo by KIOKU Keizo, Courtesy: 21st Century Museum of Contemporary Art, Kanazawa
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“Collection Asian Landscapes” Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan, 2018-2019 Photo by KIOKU Keizo, Courtesy: 21st Century Museum of Contemporary Art, Kanazawa
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“Collection Asian Landscapes” Installation view, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan, 2018-2019 Photo by KIOKU Keizo, Courtesy: 21st Century Museum of Contemporary Art, Kanazawa
TK-18-003-D
Untitled, 2018, Oil on paper, H40.5xW30.5cm
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“YOKOHAMA TRIENNALE 2017 -Islands, Constellations & Galapagos” Installation view, Yokohama Red Brick Warehouse No.1, Kanagawa, Japan, 2017 Photo by Ichiro Mishima
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“YOKOHAMA TRIENNALE 2017 -Islands, Constellations & Galapagos” Installation view, Yokohama Red Brick Warehouse No.1, Kanagawa, Japan, 2017 Photo by Ichiro Mishima
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“YOKOHAMA TRIENNALE 2017 -Islands, Constellations & Galapagos” Installation view, Yokohama Red Brick Warehouse No.1, Kanagawa, Japan, 2017 Photo by Ichiro Mishima
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“Memory of Herds” Installation view, URANO, Tokyo, Japan, 2017 Photo by Ichiro Mishima
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“Memory of Herds” Installation view, URANO, Tokyo, Japan, 2017 Photo by Ichiro Mishima
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“Memory of Herds” Installation view, URANO, Tokyo, Japan, 2017 Photo by Ichiro Mishima
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“Memory of Herds” Installation view, URANO, Tokyo, Japan, 2017 Photo by Ichiro Mishima
y
「私たちの習性」展示風景、AIKE DELLARCO、上海、中国、2017年
z
「私たちの習性」展示風景、AIKE DELLARCO、上海、中国、2017年
z1
「私たちの習性」展示風景、AIKE DELLARCO、上海、中国、2017年
z6
《無題》2015年、H130.3xW194cm、キャンバスに油彩
z7
「コレクション展 2 ダイアリー」展示風景、金沢21世紀美術館、石川、2016年 撮影:木奥惠三、画像提供:金沢21世紀美術館
z11
「カンバセーション_ピース:かたちを(た)もたない記録 小西紀行+AHA!」展示風景、武蔵野市立吉祥寺美術館、東京、2016年
z13
《無題》2014年、H145.5xW194cm、紙に油彩
Toshiyuki Konishi has continued to paint people with a distinctive methodology based on resolutely sweeping away details with bold, strong strokes, even while referencing private records such as group photos and snapshots of family and close friends.
Conversations with his grandfather, who was a psychologist, led Konishi to mull over human standards of judgment and human behavior from early childhood. He consequently acquired the point of view needed for taking an objective look at the human species at a young age, and deepened his thought through the act of painting.
The human figures he renders as distorted vestiges based on memory seem to be opened up to and in rapport with the outer world. It is as if he has captured the instant when the body and consciousness balloon. Konishi reacts to the ways in which such changes exert an influence on the relationship between the world and our bodies and makes realistic depictions of the changing human mind and body compelled to live with a sense of fragility and uncertainty.
His recent exhibitions are “The Way of Painting”, Tokyo Opera City Art Gallery (Tokyo, 2014); “Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art”, The National Museum of Art (Osaka, 2014); “Collection 2 – Diary”, 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, 2018); “YOKOHAMA TRIENNALE 2017: Islands, Constellations & Galapagos”, Yokohama Red Brick Warehouse No.1 (Kanagawa, 2017); “Collection – Asian Landscapes”, 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, 2018); “Under Current”, Powerlong Museum (Shanghai, 2022); “Collection Exhibition 1 It knows : When Forms Become Mind” 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, 2023); “The lens within your heart from the TAKEUCHI COLLECTION”, WHAT MUSEUM (Tokyo, 2023); “A Personal View of Japanese Contemporary Art : Takahashi Ryutaro Collection”, Museum of Contemporary Art Tokyo (Tokyo, 2024) and more.
He was nominated as the finalist for the Prudential Eye Awards in 2016.