0176s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0069
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0075s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0106s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0098s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0114s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
メインビジュアル
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0134s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0194s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0145s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0155s2
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0167
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
0184
"Fragments, Plants, and Places with People" Installation view at ANOMALY, Tokyo, 2024 Photo: Hideto Nagatsuka
230802_anomaly_tsugami_03
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_06
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_08
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_07
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_05
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_04
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_10
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
230802_anomaly_tsugami_11
ABSTRACTION: The Genesis and Evolution of Abstract Painting Cézanne, Fauvism, Cubism and on to Today Installation view
ARTIZON MUSEUM, Tokyo, 2023 photo: Ichiro Mishima
Web_221129_anomaly_i7
Flowing, Ever Flowing Installation view, CADAN YURAKUCHO, Tokyo, 2022
Photo: Ichiro Mishima
Web_221129_anomaly_i11
Flowing, Ever Flowing Installation view, CADAN YURAKUCHO, Tokyo, 2022
Photo: Ichiro Mishima
Web_221129_anomaly_i9
”View, Flowing Evening, 8 Feb 2019/2022” 2022
Left: H162×W259cmCenter: H91×W72.7cmRight: H27.3×W27.3cm, a set of 3
Pigment, acrylic, and others on canvas, Photo: Ichiro Mishima
Web_221129_anomaly_i18
Flowing, Ever Flowing Installation view, CADAN YURAKUCHO, Tokyo, 2022
Photo: Ichiro Mishima
Web_221129_anomaly_i14
Flowing, Ever Flowing Installation view, CADAN YURAKUCHO, Tokyo, 2022
Photo: Ichiro Mishima
Web_221129_anomaly_i2
Flowing, Ever Flowing Installation view, CADAN YURAKUCHO, Tokyo, 2022
Photo: Ichiro Mishima
Web_MT-22-001-P
”View, Through the Doors, Morning 16 Jan 2022” 2022
H146xW276.5cm Pigment, acrylic, and others on canvas
Web_221014_anomaly_15
”View, A City, Time, 4:45pm 27 June 2022” 2022
H50×W100cm Pigment, acrylic, and others on canvas
Web_221014_anomaly_16
”View, A City, Rain, 12:58pm 7 June 2022” 2022
H50×W100cm Pigment, acrylic, and others on canvas
Web_221213_anomaly_i24
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i25
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i26
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i18
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i22
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i10
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_221213_anomaly_i1
In a Whispering Way Installation view, NADiff a/p/a/r/t, Tokyo, 2022
Photo: Ichiro Mishima
Web_MT-22-002-P
”View, Following the Trees, Morning 16 Jan 2022” 2022
H227.5×W182×D4cm Pigment, acrylic, and others on canvas
Web_MT-22-003-P
”View, Toward the Ways, Morning 16 Jan 2022” 2022
H227.5×W182×D4cm Pigment, acrylic, and others on canvas
She received a master’s degree in fine art from the Kyoto University of the Arts Graduate School. The titles of her works are often prefixed with “View,” which means not only objective sights and landscapes but also subjective ways of looking and thinking. The name derives from her thought on questions about contemporary landscape painting that she creates from her essential daily sketches: how people grasp the external world and then construct standards and values from their own perspectives. Her stay in New York in 1996 under a residency program gave her the opportunity to rethink her production and works, and she again began to explore a unique style of painting upon her return. She was the recipient of the Vision of Contemporary Art (VOCA) Award in 2003. In her production under a residency program hosted by Ohara Museum Art in Okayama in 2005, she established a distinctive methodology of creating a painting from numerous sketches made in her everyday life, and continues to paint in this way at present. As part of the Gotoh Memorial Foundation Award in the Fine Art Division she received in 2013, she was given a one-year residency in the UK -known as the birthplace of landscape painting. During her stay, besides producing works, she researched landscape painters of the past and their works.