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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa
Photo: KIOKU Keizo
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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa
Photo: KIOKU Keizo
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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa
Photo: KIOKU Keizo
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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa Photo: KIOKU Keizo
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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa Photo: KIOKU Keizo
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UJINO Muneteru, PLYWOOD SHINCHI, 2017
Installation view of “Collection Exhibition 2: Drifting in the City,” 2024-2025, 21st Century Museum of Contemporary Art, Kanazawa Photo: KIOKU Keizo
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「サウンド&アート展 見る音楽、聴く形」展示風景、アーツ千代田 3331、東京、2021
クリエイティブ・アート実行委員会
Photo: Yuya Furukawa
"SOUND & ART - Look at the Music, Listen to the Shape exhibition" Installation view, 3331 Arts Chiyoda, Tokyo, 2021, courtesy of Creative Art Executive Committee, Photo:Yuya Furukawa
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「サウンド&アート展 見る音楽、聴く形」展示風景、アーツ千代田 3331、東京、2021
クリエイティブ・アート実行委員会
Photo: Yuya Furukawa
"SOUND & ART - Look at the Music, Listen to the Shape exhibition" Installation view, 3331 Arts Chiyoda, Tokyo, 2021, courtesy of Creative Art Executive Committee, Photo:Yuya Furukawa
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《プライウッド新地》(2017) 展示風景、金沢21世紀美術館、金沢、2018 撮影: 木奥惠三
Plywood Shinchi (2017) Installation view at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo: Keizo Kioku
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《プライウッド新地》(2017) 展示風景、金沢21世紀美術館、金沢、2018 撮影: 木奥惠三
Plywood Shinchi (2017) Installation view at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo: Keizo Kioku
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《プライウッド新地》(2017) 展示風景、金沢21世紀美術館、金沢、2018 撮影: 木奥惠三
Plywood Shinchi (2017) Installation view at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo: Keizo Kioku
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《プライウッド新地》(2017) 展示風景、金沢21世紀美術館、金沢、2018 撮影: 木奥惠三
Plywood Shinchi (2017) Installation view at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo: Keizo Kioku
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《プライウッド新地》(2017) 展示風景、横浜トリエンナーレ、横浜、神奈川、2017 撮影: 田中雄一郎
Plywood Shinchi (2017) Installation view, Yokohama Triennale, Yokohama, 2017 Photo: Yuichiro Tanaka
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宇治野宗輝 個展「ライヴズ・イン・ジャパン」展示風景、山本現代、東京、2018 撮影: 木奥惠三
UJINO Solo Exhibition "Lives in Japan" Installation view, YAMAMOTO GENDAI, Tokyo, 2018 Photo: Keizo Kioku
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《THE BALLAD OF EXTENDED BACKYARD,THE HOUSE》展示風景、Mask、北加賀屋、大阪、2015 Photo: Ai Nakagawa
THE BALLAD OF EXTENDED BACKYARD,THE HOUSE Installation view, Mask, Kitakagaya, Osaka, 2015 Photo: Ai Nakagawa
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《THE BALLAD OF EXTENDED BACKYARD,THE HOUSE》展示風景、Mask、北加賀屋、大阪、2015 Photo: Ai Nakagawa
THE BALLAD OF EXTENDED BACKYARD,THE HOUSE Installation view, Mask, Kitakagaya, Osaka, 2015 Photo: Ai Nakagawa
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ライヴパフォーマンス、Mask、北加賀屋、大阪、2015 Photo: Ai Nakagawa
Live performance, Mask, Kitakagaya, Osaka, 2015 Photo: Ai Nakagawa
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ライヴパフォーマンス、Mask、北加賀屋、大阪、2015 Photo: Ai Nakagawa
Live performance, Mask, Kitakagaya, Osaka, 2015 Photo: Ai Nakagawa
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ライヴパフォーマンス、Mask、北加賀屋、大阪、2015 Photo: Ai Nakagawa
Live performance, Mask, Kitakagaya, Osaka, 2015 Photo: Ai Nakagawa
Combining sound sculptures made of industrial products of the 20th century such as mass-produced household appliances, electric guitars, automobiles, construction materials and toys with DIY technology, Ujino’s artistic language expands to videos or large-scale installations.
In recent years, he has produced works based on his own and his family’s stories, in which fragments of memories of daily life and everyday materials and events overlap juxtaposed with symbols of modern hegemony, such as the military and the railways.
Selected exhibitions include “Lost Frontier” ANOMALY (Solo, 2023), “Yokohama Triennale 2017 Islands, Constellations and Galapagos” (2017), “Audio Distortion does not Distort Matter” Nizayama Forest Art Museum (Solo, 2016), “Mash Up: The Birth of Modern Culture” Vancouver Art Gallery (2016), “POP/LIFE” The Hakone Open-Air Museum, Kanagawa (Solo, 2013).
