Chu Enoki
th_201207_anomaly_p01
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_p28
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_p03
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_p26
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_Chuenoki_anomaly_en
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_p22
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_p21
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_i18en
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th_201207_anomaly_i17en
Chu Enoki Solo Exhibition MRPM-1200 Installation View, ANOMALY, Tokyo, 2020 Photo: Ichiro Mishima
th84_01
Went to Hungary with HANGARI, 1977
_MG_0198
Chu Enoki Solo Exhibition LSDF-014, Installation view, YAMAMOTO GENDAI, Tokyo, 2014
_MG_0093
Chu Enoki Solo Exhibition LSDF-014, Installation view, YAMAMOTO GENDAI, Tokyo, 2014
thT_IGP2855
Unleashing the Museum, Installation view at Hyogo Prefectural Museum of Art, 2011
thT_IGP3116
Unleashing the Museum, Installation view at Hyogo Prefectural Museum of Art, 2011
thT_IGP3145
Unleashing the Museum, Installation view at Hyogo Prefectural Museum of Art, 2011
th188_0301_01
Installation view at Hyogo Prefectural Museum of Art, 2003
th191_0301_03
Installation view at Hyogo Prefectural Museum of Art, 2003
th_IMG_0303
Roppongi Crossing 2007: Future Beats in Japanese Contemporary Art Mori Art Museum, Tokyo, 2007-2008
Photo: Kioku Keizo courtesy of Mori Art Museum
th_IMG_9584
Roppongi Crossing 2007: Future Beats in Japanese Contemporary Art Mori Art Museum, Tokyo, 2007-2008
Photo: Kioku Keizo courtesy of Mori Art Museum
th_img121
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
th_img119
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
th_img117
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
th_img118
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
th_CRW_5317
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
th_img120
“One Man Show by Enoki Chu” Installation view, Kirin Plaza Osaka, Osaka, 2006 Photo: Yuto Hirakakiuchi
Chu Enoki
Born in Kagawa, 1944. Lives and works in Hyogo.
A self-taught artist with a few drawing lessons at the age of 20, Enoki took part in creative activities as a member of “Kobe Japan Zero”, an avant-garde artists group that examined the exhibition form associating with public competition. He utilizes a various forms of artistic expression from ambitious performances – “Naked Happening” (Hadaka no Hapuningu) in 1970, and remarkable “Going to Hungary with HANGARI” in 1977, when he shaved off every hair from head to toe on the right side of his body and traveled to Hungary which has put him in a spotlight, to a large-scale installation in 1979, “LSDF” (Life Self Defense Force), an enormous canon sculpture pointing at a house of a Japanese gangster’s boss. Enoki’s provocative and unconventional performance includes mesmerizing “BAR ROSE CHU”, in the temporal bar he brought into an exhibition floor, and dressed as a hostess to entertain the visitors. On the other hand, with skillful experience in working at the metal manufacturing factory, Enoki continued creating machinery sculptures and objects with used steel and metal parts, and especially after Hanshin-Awaji earthquake disaster in 1995. His sculpture works reflect and derive from the futuristic urban city with recycled metal parts. Enoki’s modesty in spending his time to have continued working at the factory until a retirement age is a great impact to many contemporary artists of all generations.
His previous and major exhibitions include “Gyu and Chu: Ushio Shinohara and Chu Enoki” Toyota Municipal Museum, Aichi (2007), “ROPPONGI CROSSING 2007: Future Beats in Japanese Contemporary Art” Mori Art Museum, Tokyo (2007), “Chu Enoki: This Man, Hazardous” Miyanomori International Museum, Sapporo (2008), and “Unleashing the Museum: Chu Enoki” Hyogo Prefectural Museum of Art, Hyogo (2011), “LSDF-014” Yamamoto Gendai (2014), “Chu Enoki: Enoki Chu” White Rainbow, London (2015), “Tetsu to Enoki Chu” Soja Art House, Okayama (2016), “Busan Biennale 2016 Part Ⅰ: an/other avant-garde china-japan-korea” Busan Museum of Art, Busan (2016), “Travelers: Stepping into the Unknown” The National Museum of Art, Osaka (2018), “Chu Enoki x Yukinori Yanagi CROSSROAD 3: Man! Fight and Secure a Place to Live” ART BASE MOMOSHIMA, Hiroshima (2018), and “MADE IN KOBE” Gallery Shimada, Hyogo (2018).
Collection
Hyogo Prefectural Museum of Art, Hyogo, Japan
Miyanomori International Museum of Art, Sapporo(MIMAS), Hokkaido, Japan
Toyota Municipal Museum of Art, Aichi, Japan
Takahashi Ryutaro Collection
News Archives