DT-23-002-P
Ashan 2023, Oil, synthetic resin and acrylic on panel, H32.8xW42.8cm
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Group Show of Contemporary Artists 2022 “Energy Overflowing from the Gaze” Installation View, Tokyo Metropolitan Art Museum, Tokyo, Japan, 2022
Photo by Hideto Nagatsuka
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Group Show of Contemporary Artists 2022 “Energy Overflowing from the Gaze” Installation View, Tokyo Metropolitan Art Museum, Tokyo, Japan, 2022
Photo by Hideto Nagatsuka
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Group Show of Contemporary Artists 2022 “Energy Overflowing from the Gaze” Installation View, Tokyo Metropolitan Art Museum, Tokyo, Japan, 2022
Photo by Hideto Nagatsuka
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"Halfway Happy vol. 5 Daisuke Takahashi: RELAXIN’" Installation View, gallery αM, Tokyo, Japan, 2021 Photo by Yuki Moriya
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"Halfway Happy vol. 5 Daisuke Takahashi: RELAXIN’" Installation View, gallery αM, Tokyo, Japan, 2021 Photo by Yuki Moriya
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"Halfway Happy vol. 5 Daisuke Takahashi: RELAXIN’" Installation View, gallery αM, Tokyo, Japan, 2021 Photo by Yuki Moriya
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"Halfway Happy vol. 5 Daisuke Takahashi: RELAXIN’" Installation View, gallery αM, Tokyo, Japan, 2021 Photo by Yuki Moriya
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"Halfway Happy vol. 5 Daisuke Takahashi: RELAXIN’" Installation View, gallery αM, Tokyo, Japan, 2021 Photo by Yuki Moriya
DT-21-004-P
Toy (tiger), 2021, Oil on panel, H194xW303cm
DT-21-006-P
Toy (giraffe), 2021, Acrylic, oil and oil stick on canvas, H194.5xW162cm
DT-21-007-P
Untitled/One Yen Coin, 2020-2021, Oil on panel, H162xW97cm
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Untitled/One Yen Coin, 2020, Oil on panel, H50.5xW66.5cm
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Untitled/Aquarium, 2020, oil on panel, H81.5×W62cm
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PW4,6/PB29/PY14,35,42,53,110,154/PG7,18/ PR108,122/PBr7, 2020, Oil on panel, H28.5×W42cm
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Untitled, 2020, Oil on linen, panel, H82×W115cm
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PW6/PB29, 2020, Oil on panel, H33×W43cm
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Ota Art vol.3 “Sazaedo 2020–Modern spiral and a hundred paintings” Installation view, Art Museum & Library, Ota, Gunma, Japan, 2020, Photo by Atsushi Yoshie
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Ota Art vol.3 “Sazaedo 2020–Modern spiral and a hundred paintings” Installation view, Art Museum & Library, Ota, Gunma, Japan, 2020, Photo by Atsushi Yoshie
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Ota Art vol.3 “Sazaedo 2020–Modern spiral and a hundred paintings”, Installation view, Art Museum & Library, Ota, 2020, Photo by Atsushi Yoshie
DT-19-001-P
km, 2017-2019, Oil on canvas, panel, H97.7xW162.2xD3cm
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Untitled (natsushima), 2017-2019, Oil on canvas, panel, H74xW92.3xD5.1cm
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"Sleeping painting" Installation view, URANO, Tokyo, 2018 Photo by Fuyumi Murata
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"Sleeping painting" Installation view, URANO, Tokyo, 2018 Photo by Fuyumi Murata
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100 curly, 2017, Oil on canvas, panel, H100.5×W100.5cm
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101 color chart / cup, 2017, Oil on canvas, panel, H194.5xW114.5cm
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mountain / uchiwae, 2017-2018, Oil on canvas, H27.3xW22cm
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42-53-61 Sleeping painting, 2016-2017, Oil on canvas, panel, H24×W90cm
DT-17-034-P
48 (F,G), 2016-2017, Oil on canvas, H45.6xW53.6cm
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14, 2015-2016, Oil on canvas, H54.3×W39.2cm
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Untitled (Watch The Sun), 2015-2016, Oil on canvas, panel, H97×W147cm
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"The Emerging Body" Installation view at The Museum of Modern Art Saitama, 2016
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"The Emerging Body" Installation view at The Museum of Modern Art Saitama, 2016
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"Present-Day Paintings" Installation view at Kawagoe City Art Museum, 2015
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"Present-Day Paintings" Installation view at Kawagoe City Art Museum, 2015
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Untitled(made), 2013-14, Oil on panel, H58xW58cm
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Untitled (tmtm), 2013-14, oil on panel, H37.5xW58cm
DT-14-008-P
Untitled (TKBKKT249), 2013-2014, Oil on panel, H30xW40cm
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Untitled (KKIYOSHI), 2013-2014, Oil on panel, H28xW43cm
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Untitled (Y,E,K), 2013-2014, Oil on panel, H62.5xW92.5cm
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Untitled, 2012-2014, Oil on panel, H104xW77cm
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Untitled (Madonna), 2013, Oil on panel, H25×W26cm
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Untitled (Blue of De), 2011-2012, Oil on canvas, panel, H26.5xW36.5cm
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Untitled (Ku-i),
2011-2012, Oil on panel, H56xW38cm
DT-10-001-P
Untitled (yellow on yellow, blue, green),
2010, Oil on panel, H26xW42cm
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The Shape of Color, The Appearance of Shape, and The Sun, 2008, Oil on canvas, H94×W148cm
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paddle, wash (go straight), 2008, Oil on canvas, H131.5xW131.5cm
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Untitled (moon light), 2007, Oil on canvas, H26xW30cm
Over a period of about five years beginning in 2011, Takahashi made a transition from the impastoed “nighttime paintings” he produced while facing the canvas alone at night under fluorescent lighting to thinly painted “daytime paintings” that also took in the world outside himself and were produced under the bright light of day, and further to his “sleep paintings” for which he applied a coat of varnish on the uppermost layer of the painting, thereby physically separating himself from the painting. This transition was occasioned by a switch to the daytime in his production rhythm owing to changes in his family makeup and life environment.
Subsequently, beginning around 2016, germinal renderings of numerals and other symbol-type markings began to emerge on his works. In more recent years, Takahashi showed his Daydream series that incorporates ideographic characters on the canvas for the names of periods (Jomon, Yayoi, etc.) and eras (Heisei, Reiwa, etc.) of Japanese history. This was followed by works that took as their motifs familiar items such as children’s toys, a frying pan, a one-yen coin, a pineapple, and the exterior walls of houses.
In Takahashi’s works, the pictorial space deepens while maintaining a close connection with living space. The pieces appear before our eyes as devices that enable us to re-encounter a world we thought we already knew, and to get a new and fresh perception of it.
Takahashi has developed his art in new directions while earnestly coming to grips with the constantly changing environment surrounding us. Going forward as well, he will undoubtedly continue with his activity and thought in his insatiable exploration of painting.