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Elena Knox "azarashi banashi" Installation view, ANOMALY, Tokyo, 2023 Photo: Ichiro Mishima
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Elena Knox "azarashi banashi" Installation view, ANOMALY, Tokyo, 2023 Photo: Ichiro Mishima
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Elena Knox "azarashi banashi" Installation view, ANOMALY, Tokyo, 2023 Photo: Ichiro Mishima
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Elena Knox "azarashi banashi" Installation view, ANOMALY, Tokyo, 2023 Photo: Ichiro Mishima
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Elena Knox "azarashi banashi" Installation view, ANOMALY, Tokyo, 2023 Photo: Ichiro Mishima
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"ICC Annual 2022:Life/Likeness"installation view,NTT Inter Communication Center [ICC] Galley B Hyper ICC,Tokyo,2022
Photo: KIOKU KeizoPhoto courtesy: NTT InterCommunication Center [ICC]
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"ICC Annual 2022:Life/Likeness"installation view,NTT Inter Communication Center [ICC] Galley B Hyper ICC,Tokyo,2022
Photo: KIOKU KeizoPhoto courtesy: NTT InterCommunication Center [ICC]
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"ICC Annual 2022:Life/Likeness"installation view,NTT Inter Communication Center [ICC] Galley B Hyper ICC,Tokyo,2022
Photo: KIOKU KeizoPhoto courtesy: NTT InterCommunication Center [ICC]
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"Actroid Series II" installation view, Tokyo Arts and Space Hongo, Japan, 2021
Photo TAKAHASHI Kenji, Courtesy of Tokyo Arts and Space
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"Art Machines II" Installation view, City University Hong Kong, Hong Kong, 2021
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"Future and the Arts" Installation view at Mori Art Museum, 2020
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Volcana Brainstorm (hot lava version) 2020
"Yokohama Triennale" Installation view, Kanagawa, Japan, 2020
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"Echoes of Monologues" Installation View at ANOMALY, Tokyo, 2020
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"AS-Helix: The Integration of Art and Science in the Age of Artificial Intelligence" Installation view at National Museum of China, 2019
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"POSTLIFE: Beijing Media Art Biennale" Installation view at Suzhou Hanshan Museum, China, 2019
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Piñata, Installation view at Unknown Theater, Tokyo, 2019
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"The Female is Future" Installation view at Gallery Hashimoto, Tokyo, 2018
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"The Big Anxiety Festival" Installation view at UNSW Galleries, 2017
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"The Big Anxiety Festival" Installation view at UNSW Galleries, 2017
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Actroid Series I (partial)
"Cultural R>Evolution" International Symposium on Electronic Art (ISEA) Installation view, Run Run Shaw Centre for Creative Media, Hong Kong, 2016
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"FemFlix" Installation view at SCA Gallery, Sydney, 2016
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Gynoid Survival Kit 2016
"Re: FUSE" Installation view, chi K11 art space, Hong Kong, 2016
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"Re: FUSE" Installation view, chi K11 art space, Hong Kong, 2016
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"Open Sky" Installation view on Hong Kong International Commerce Centre video façade, 2016
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"VIVID Sydney" Installation view at The Galeries, Australia, 2016
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Actroid Series I (partial)
"Beyond Beyond the Valley of the Dolls" Installation view, UNSW Gallery, Sydney, 2015
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"Beyond Beyond the Valley of the Dolls" Installation view at UNSW Galleries, Australia, 2015
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“Lapdog” Performance at Old Fitzroy Theatre, Sydney, 2007
Elena Knox’s art cuts through digital media, performance, sound, music, and installation. Her projects examine how technological civilization evolves to mimic human desires for self-replication. Presenting ultra-contemporary scenarios where humans live in deep enmeshment with synthesized things, Knox involves audiences in rich and distorted interactions that undercut basic social codes, often conveying their performative absurdity. Her works expose uncomfortable thresholds of intimacy, physicality, and faith.
Some of Knox’s recent works use frontier Japanese robots to audition roles of identity and belief in techno-science futures. Others explore new visions of gender and cyber-organics in dreamlike, stripped-back situations.
Knox’s artworks are in increasing demand internationally. She won the Apex Art New York international curatorial competition for her exhibition “Can You Fuck It?” in Tokyo (2022). She created solo shows for Tokyo Arts and Space (2021–22); Koganecho Bazaar, Yokohama (2019); Gallery Hashimoto, Tokyo (2018), and UNSW Galleries, Sydney (2017, 2015), and is participating globally in top-tier exhibitions, including: Seoul International New Media Festival (2024); Ars Electronica (2023); Taiwan International Video Art Exhibition (2023); Foundation, Videotage Hong Kong (2023); Echigo-Tsumari Art Triennial (2022); ICC Annual, Tokyo Opera City (2022); Spectra, Australian Network for Art & Technology (2022); Art Machines 2, Hong Kong (2021); , Mori Art Museum (2019–20); Bangkok Art Biennale (2020); Yokohama Triennale (2020); Beijing Media Art Biennale (2018–19); AS-HelixAlgorithmic Art, Hong Kong City Hall (2019); Synthetic Mediart, Taipei Expo Park (2019); and A Better Version of You, Art Sonje Center, Seoul (2017). Artist residencies include Australia House (Echigo-Tsumari Art Field, 2019); and K11 Art Foundation (Wuhan, 2016).
Knox is a researcher with Waseda University, Tokyo and holds a PhD Media Art from UNSW Australia Art & Design. She also performs solo and with others as a musician, spanning improvisation, electronic pop, and noise.