s_青木野枝ー湖畔美術館44
Pillars of Light I (2023)
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023 photo: Tadasu Yamamoto
s_青木野枝ー湖畔美術館12
Pillars of Light I (2023)
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023 photo: Tadasu Yamamoto
s_青木野枝ー湖畔美術館1
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023
photo: Tadasu Yamamoto
s_青木野枝ー湖畔美術館27
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023
photo: Tadasu Yamamoto
s_青木野枝ー湖畔美術館35
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023
photo: Tadasu Yamamoto
s_青木野枝ー湖畔美術館25
“Pillars of Light” Installation view at Ichihara Lakeside Museum, Chiba, Japan, 2023
photo: Tadasu Yamamoto
青木野枝ー八戸市美1
modoru mizu/Hachinohe (2023)
"Beautiful HUG!" Installation view at Hachinohe Art Museum, Aomori, 2023
photo: Tadasu Yamamoto
青木野枝ー八戸市美4
modoru mizu/Hachinohe (2023)
"Beautiful HUG!" Installation view at Hachinohe Art Museum, Aomori, 2023
photo: Tadasu Yamamoto
青木野枝ー森美術館1 2
core - 1・2・3・4 (2022)
"Roppongi Crossing 2022: Coming & Going!" Installation view at Mori Art Museum, 2022
photo: Tadasu Yamamoto
青木野枝ー森美術館4
"Roppongi Crossing 2022: Coming & Going!" Installation view at Mori Art Museum, 2022
photo: Tadasu Yamamoto
青木野枝ー芸術激流1
modoru mizu/Mitake (2022)
"geijutsu gekiryu rafting +art" Installation view, TInstallation view, Tama River, Tokyo, 2022
photo: Tadasu Yamamoto
青木野枝ー芸術激流14
modoru mizu/Mitake (2022)
"geijutsu gekiryu rafting +art" Installation view, TInstallation view, Tama River, Tokyo, 2022
photo: Tadasu Yamamoto
青木野枝ー寒霞渓1
Sora no tama/Kankakei (2022)
"Art Setouchi" Installation view, Shodo island, Kagawa, 2022
photo: Tadasu Yamamoto
青木野枝ー寒霞渓10
Sora no tama/Kankakei (2022)
"Art Setouchi" Installation view, Shodo island, Kagawa, 2022
photo: Tadasu Yamamoto
青木野枝ー北浜3 2
Installation view at NIPPON LIFE YODOYABASHI BUILDING, Osaka, 2022
photo: Tadasu Yamamoto
青木野枝ー北浜16 2
Installation view at NIPPON LIFE YODOYABASHI BUILDING, Osaka, 2022
photo: Tadasu Yamamoto
青木野枝ー珠洲3
Mesocyclone/Takojima (2021)
"Okunoto Toriennale" Installation view, Takojima, Ishikawa, 2021
photo: Tadasu Yamamoto
青木野枝ー珠洲18
Mesocyclone/Takojima (2021)
"Okunoto Toriennale" Installation view, Takojima, Ishikawa, 2021
photo: Tadasu Yamamoto
青木野枝ー珠洲46
Mesocyclone/Takojima (2021)
"Okunoto Toriennale" Installation view, Takojima, Ishikawa, 2021
photo: Tadasu Yamamoto
青木野枝ー珠洲35
Mesocyclone/Takojima (2021)
"Okunoto Toriennale" Installation view, Takojima, Ishikawa, 2021
photo: Tadasu Yamamoto
th青木野枝ーANOMALY3
Mesocyclone, 2021
"Mesocyclone" Installation view at ANOMALY, Tokyo, 2021
photo: Tadasu Yamamoto
Web_青木野枝ー長崎県美10
furisosogu monotachi / nagasaki (all that floats down / nagasaki) (2019)
"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
Web_青木野枝ー長崎県美19
moya / nagasaki (cloud valley / nagasaki) (2019)
"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
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"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
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tateyama / nagasaki (2019)
"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
Web_青木野枝ー長崎県美48
donten 1(cloudy sky 1) (2019)
"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
Web_青木野枝ー長崎県美28
Untitled (1992)
"Noe Aoki: All that floats down” Installation view at Nagasaki Prefectural Art Museum, Nagasaki, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美1
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum,
Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美21
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum, Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美35
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum, Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美10
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum, Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美14
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum, Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー府中市美8
"Noe Aoki: Fog, Iron, Mountains" Installation view at Fuchu Art Museum, Tokyo, 2019
photo: Tadasu Yamamoto
青木野枝ー霧島10
"Noe Aoki: Fog and Mountain" Installation view at Kirishima Open-Air Museum, Kagoshima, 2019
photo: Tadasu Yamamoto
青木野枝ー霧島5
"Noe Aoki: Fog and Mountain" Installation view at Kirishima Open-Air Museum, Kagoshima, 2019
photo: Tadasu Yamamoto
青木野枝ー霧島38
"Noe Aoki: Fog and Mountain" Installation view at Kirishima Open-Air Museum, Kagoshima, 2019
photo: Tadasu Yamamoto
青木野枝ー霧島41
"Noe Aoki: Fog and Mountain" Installation view at Kirishima Open-Air Museum, Kagoshima, 2019
photo: Tadasu Yamamoto
青木野枝ー霧島48
"Noe Aoki: Fog and Mountain" Installation view at Kirishima Open-Air Museum, Kagoshima, 2019
photo: Tadasu Yamamoto
Web_青木野枝ー大分県美_2016_蒸気管寿町_作品画像
jokikan / Kotobukimachi (2016)
“Auspicious Celebration of Lives” Installation view at Oita Prefectural Art Museum, Oita, 2016
Web_青木野枝_有隣荘_2013_ふりそそぐもの娯楽室_作品画像
furisosogu mono / gorakushitsu (all that floats down / gorakushitsu) (2013)
Installation view at Ohara Museum of Art, Yurinso, Okayama, 2013
Web_青木野枝_有隣荘_2013_ふりそそぐもの烏_作品画像
furisosogu mono / karasu (all that floats down / karasu) (2013)
Installation view at Ohara Museum of Art, Yurinso, Okayama, 2013
Web_青木野枝_あいちトリエンナーレ_2013_納屋橋_作品画像
furisosogu mono / nayabashi (all that floats down / nayabashi) (2013)
"Aichi Art Triennale" Installation view, Nayabashi, Aichi, 2013
Web_青木野枝ー砂丘館1
mizu no todomarutokoro IV (where water remains IV) (2007)
Completed a Master’s degree at Musashino Art University. Since 1980s, one of the key materials that Aoki has often made use of is iron; a substance more abundant on earth than water, and one which has fascinated mankind for millennia. Her work is the result of a repeated process of fusing and welding numerous parts of industrial iron sheets together. Such craftsmanship induces and liberates the very notions of sculpture (through the chunks of material), and drastically alters the environment in which the work is installed. With careful consideration for the qualities of each space, and through substantial compositions that incorporate details both visible and invisible, her work establishes multiple lines of sight diverging from the existing sculptural form. In recent years, she has started to implement a range of materials from plaster to glass and even soap bars. Aoki has been awarded the Minster of Education’s Choice: New Artist prize, Mainichi Arts Awards, and in 2017, the prestigious Nakahara Teijiro Prize. Since 1997, she has continued to create series of publications made in copperplate, woodcut and paper print, currently the total standing at 20. Aoki has held solo exhibitions at Ichihara Lakeside Museum (2023), The Nagasaki Prefectural Art Museum(2019), Kirishima Open-Air Museum(2019), Fuchu Art Museum(2019), The Toyota Municipal Museum(2012), The Meguro Museum of Art Tokyo(2000), and more. Her artworks also collected by The National Museum of Modern Art Tokyo, The National Museum of Art Osaka, The Toyota Municipal Museum, Aichi Prefectural Museum of Art, and Agency for Cultural Affairs. Aoki has awarded Price for the Mainichi Art Price and Teijiro Nakahara Award; in 2021 she received the Minister of Education, Culture, Sports, Science and Technology Award for Art Encouragement.
Main Collection