YY-23-001-S
EARTH DAY 1, 2023, Plastic, styrofoam, acrylic, marker and stone, H34.8xφ35cm
YY-23-002-S
EARTH DAY 2, 2023, Styrofoam, acrylic and stone, H31xφ30.5cm
YY-23-003-S
EARTH DAY 3, 2023, Plastic, acrylic and marker, H26.5xφ31.5cm
YY-23-004-S
EARTH DAY 4, 2023, Paper, cement, marker, H25xφ25.5cm
YY-23-005-S
EARTH DAY 5, 2023, Paper, stone, cement, H5.5xφ9.5cm
YY-18-007-P
Zen Temple, 2018, Acrylic and marker on fusuma, H182xW289cm
YY-07-060-P
Beasts and Ourselves, 2005-2007, Acrylic on canvas, Dimensions variable
YY-23-006-P
Cooperation|MARUYAMATANAKA, 1994/2023, Acrylic, varnish, marker and collage on board, H166.7xW235.5cm / H166.7xW183cm
YY-92-001-P
Tanker and Skyscraper, 1992, Paint, marker and varnish on board, H180.4xW274.5cm
YY-93-002-P
Chemically-alterd Air Force, 1993, Paint, marker and varnish on board, H82xW109cm
YY-93-001-P
Seichu |Room, 1993, Paint, marker and varnish on board, H67xW95.8cm
YY-94-001-P
truck, cab, mountain, 1994, Paint, marker and varnish on board, H150.4xW183cm
YY-93-003-P
Trident, 1993, Paint, marker and varnish on board, H60.5xW91cm
YY-90-002-P
Car chase, 1990, Paint on panel, H70xW180cm
YY-98-002-D
TODA, 1998, Pencil, watercolor, marker and screentone on paper, H79xW110cm
YY-97-002-D
Let’s Cooperate, 1997, Pencil, watercolor, marker and screentone on paper, H80xW110cm
YY-97-003-D
Don’t cheat me, 1997, Pen and screentone on paper, H34.7xW54.8cm
YY-95-001-D
Duel, 1995, Pencil, watercolor, marker and screentone on paper, H33xW43.1cm
YY-05-012-D
New Engineering, 2005, Pencil, watercolor, marker and screentone on paper, H26.5xW35.6cm
YY-05-002-D
New Engineering, 2005, Pencil, watercolor, marker and screentone on paper, H26xW38.5cm
YY-95-006-D
Kodaira, 1995, Pencil, watercolor, marker and screentone on paper, H18.1xW25.2cm
YY-13-042-D
Three People (ourselves), 2001, Screentone on Paper, H36xW46.5cm
YY-01-016-D
Ourselves, 2001, Pencil, acrylic, ink, marker and screentone on paper, H31.1xW43.2cm
YY-01-003-D
Ourselves, 2001, Acrylic, marker, ink and screentone on paper, H31xW43.2cm
YY-01-006-D
Ourselves, 2001, Acrylic, marker, ink and screentone on paper, H30.7xW43.2cm
YY-01-013-D
Ourselves, 2001, Acrylic, ink, marker and screentone on paper, H37.4xW53.4cm
YY-07-001-D
NIWA, 2007, Ink and screentone on paper, H36xW94cm
YY-08-002-D
The Space Elevator, 2008, Ink and screentone on paper, H31.2xW25cm
YY-00-009-D
The pair of glasses, 2000, Ink and screentone on paper, H29.9xW23.8cm
YY-00-010-D
The camera, 2000, Ink and screentone on paper, H23.9xW20.2cm
20221201-th_rokko2022_yokoyama5
"Rokko Meets Art 2022" Installation view, Special exhibition in the city center (Hanshin Kobe Sannomiya Station area), Hyogo, Japan, 2022 Photo by Kiyotoshi Takashima
20221201-th_rokko2022_yokoyama6
"Rokko Meets Art 2022" Installation view, Special exhibition in the city center (Hanshin Kobe Sannomiya Station area), Hyogo, Japan, 2022 Photo by Kiyotoshi Takashima
20180621-web_YY-18-001-IV
Japonismes 2018 "Childhood: Another Banana Day for the Perfect Fish" Installation view, Palais de Tokyo, Paris, France, 2018, Photo by Aurélien Mole
20180702-web_YY-18-002-IV
Japonismes 2018 "Childhood: Another Banana Day for the Perfect Fish" Installation view, Palais de Tokyo, Paris, France, 2018, Photo by Aurélien Mole
20240119-web_YY-16-004-IV
"The world is strange! : the manga and paintings of Tiger Tateishi and Yuichi Yokoyama" Installation view, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 2016, Photo by Ken Kusakari
20240119-web_YY-16-001-IV
"The world is strange! : the manga and paintings of Tiger Tateishi and Yuichi Yokoyama" Installation view, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 2016, Photo by Ken Kusakari
20240119-web_YY-16-002-IV
"The world is strange! : the manga and paintings of Tiger Tateishi and Yuichi Yokoyama" Installation view, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 2016, Photo by Ken Kusakari
20240119-web_YY-16-003-IV
"The world is strange! : the manga and paintings of Tiger Tateishi and Yuichi Yokoyama" Installation view, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 2016, Photo by Ken Kusakari
20161129-web_YY-16-005-IV
"The world is strange! : the manga and paintings of Tiger Tateishi and Yuichi Yokoyama" Installation view, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, 2016, Photo by Ken Kusakari
20140720-web_YY-14-005-IV
"this is that, touch it." Installation view, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2014, Photo by Nobutada Omote
20240119-web_YY-14-004-IV
"this is that, touch it." Installation view, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2014, Photo by Nobutada Omote
20140720-web_YY-14-003-IV
"this is that, touch it." Installation view, Hyogo Prefectural Museum of Art, Hyogo, Japan, 2014, Photo by Nobutada Omote
20240119-web_YY-14-001-IV
“YUICHI YOKOYAMA: WANDERING THROUGH MAPS, UNE EXPLORATION A TRAVERS LES CARTES” Installation view, Pavillon Blanc, Colomiers, France, 2014
20240119-web_YY-14-002-IV
“YUICHI YOKOYAMA: WANDERING THROUGH MAPS, UNE EXPLORATION A TRAVERS LES CARTES” Installation view, Pavillon Blanc, Colomiers, France, 2014
20240119-web_YY-10-001-IV
"Yuichi Yokoyama Neo-Manga Archive: I am Drawing Time" Installation view, Kawasaki City Museum, Kanagawa, Japan, 2010
20240119-web_YY-10-002-IV
"Yuichi Yokoyama Neo-Manga Archive: I am Drawing Time" Installation view, Kawasaki City Museum, Kanagawa, Japan, 2010
20240119-web_YY-10-003-IV
"Yuichi Yokoyama Neo-Manga Archive: I am Drawing Time" Installation view, Kawasaki City Museum, Kanagawa, Japan, 2010
20240119-web_YY-10-004-IV
"Yuichi Yokoyama Neo-Manga Archive: I am Drawing Time" Installation view, Kawasaki City Museum, Kanagawa, Japan, 2010
Yuichi Yokoyama had produced Fine Art works in 1990’s after he finished his B.F.A at Musashino Art University with a major in oil painting. Since 2000, Yokoyama shifted his practice to Manga as a medium that allowed him to “draw time.” Famously known as “Neo-Manga”, his works involve no specific story development, but rather, they depart from standard Manga and express a pure flow of time depicting multiple characters with unfriendly and obscure actions, movements and transformation of mysterious objects. His representative comics,New Engineering, Travel, NIWA, Baby Boom, The Room of the World Map were translated into various languages and earned a high reputation in the world. Other published work is BABY BOOM FINAL in which the artist reproduced his monochrome Manga images in neon colors.
While a large-scale solo exhibition, “Yuichi Yokoyama – I am depicting time: Complete Records of Neo Manga” at Kawasaki City Museum, Kanagawa, Japan (2010) marks Yokoyama’s success as an established artist in Japan, the artist has won an international reputation. He worked with HERMÈS for their window display of Isetan Shinjuku Store, Tokyo in 2013. He also had participated in numerous group exhibitions “Logical Emotion”, Museum Haus Konstruktiv, Zurich, Switzerland (2014) / Museum of Contemporary Art in Krakow (MOCAK), Krakow, Poland (2015) / Kunstmuseum Moritzburg Halle (Saale), Land Sachsen-Anhalt, Germany (2015). In 2018, he exhibited his series “Beasts and Ourselves”and turned them into stained glasses in “Palais de Tokyo”, Paris, France. He also had several solo exhibitions such as “YÛICHI YOKOYAMA: WANDERING THROUGH MAPS, UN VOYAGE À TRAVERS LES CARTES”, Pavillon Blanc, Colomiers, France (2014); “YOKOYAMA Yuichi x Surrealism”, Miyazaki Prefectural Art Museum, Japan (2014) and “this is that, touch it.”, Hyogo Prefectural Museum of Art, Japan (2014).
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